Boston Bead Company

I'm so lucky to have a bead shop in the town I live in! I think I must have made that an unconscious priority when considering where we would live. The two consecutive towns I've lived in for the past 10 years have both had bead shops in them and I've been intimately involved with both in one way or other. I mean, what jewelry designer fortunate enough, wouldn't want a relationship with their local bead shop? I know that's something I've always been passionate about.

I recently made a connection with the owner of Boston Bead Company, Carson Eddy. She has two gorgeous store locations in Massachusetts. One in Cambridge and one in Salem, where I live. Carson's shop is beautiful and well stocked with findings, components and beads. She holds exciting events, like bead trunk shows and also features local bead artisans, like my friend Keith O'Connor. Her staff is friendly, helpful and knowledgeable. Oh, and the classes rock! I've taken several classes here. I regularly fall in love with the projects they select to offer.

Recently, Carson graciously invited me to celebrate the local Salem Arts Festival with them by hosting a book signing for my book, Bohemian-Inspired Jewelry and offering to have me teach a class as well! I'm so honored and grateful that she extended this invitation. I didn't waste any time saying "Yes!". Since our initial email contact, I've enjoyed several meetings with Carson and her staff while we were planning the book signing event and the class. Carson is so friendly, inviting and easy to talk to, as is her team of employees. It was a pure joy to work with them. I couldn't be happier with this collaborative event and every effort that was made to make it a success!

Although, I wished more local people would have come out to our events, I loved meeting and chatting up the few folks that did come. I was content to just put myself out there and participate in my town's art scene. I'm also happy I had more time to visit with Carson and her amazing team. We had a fun time chatting about family, business, books, beads and the beading community and craft industry. It's nice to have someone local that "gets it" to talk to. I've had some interesting enlightenment during our conversations about such things as well as some confirmation on some of my own thoughts.  I feel fortunate that I have a great business owner like Carson who cares deeply about her customers, her community and local artists. I'm thrilled to pieces to now have my book sold in both of her shops. I'm proud to have her business establishment in my community and recommend it to you.   If you are ever in the New England area, Boston Bead Company is a can't-miss-it, must-visit and a must-shop bead shop!

artBLISS 2013 in Latergrams

Oh dear, I'm woefully behind on updates around here. These pics are supposed to be Instagrams. Latergrams will have to do...

On the weekend of September 27th, 28th and 29th, I traveled to the Washington D.C. area's jewelry retreat, artBLISS. When I arrived, I was greeted by the artbliss mascot. She is pretty, classy and perfectly patriotic. I'm bad with names but, I think her name is Eleanor? Excuse me, if that's not right.

Friday night was the 'Meet and Greet' event. Here I am with my friend and fellow artist, Erin Prais-Hintz of Tesori Trovati Jewelry. I'm happy to have spent some quality time with her over the weekend!

On Saturday, I took Stacie Florer's Thin Gauge Metals class. These are the earrings I made during class. I'm thrilled with them! It was so much fun. Stacie's class was everything I knew it would be and more. I really connect with Stacie on a deep personal level and a creative one. Her class was inspiring in more ways than one. I learned a lot, got tons of personal attention from Stacie even though her class was full to the max and I just enjoyed creating in the environment that she facilitates. Oh, and laughed a lot, too!  I do hope our paths continue to cross and I get to work with her again in the future. Before I took the class, I said I was participating for the experience and had no specific intention of adding metalwork to my jewelry. Now, I could actually see myself playing with the techniques I learned. Working with the thin gauge metal is beginner-friendly, forgiving and very approachable. There's lots of potential. I'm excited about the possibilities!

Saturday evening was the 'Soiree' event of shopping and socializing! Here I am at my vendor table. I sold copies of my book, Bohemian-Inspired Jewelry, kits, and an array of my favorite jewelry-making materials, beads and findings from Ornamentea.com. I also demonstrated one of my favorite projects from Bohemian-Inspired Jewelry, my Leather Ruffle Hoop earrings.

Another treat was getting to see my friend, Tracy Statler of Make Bracelets! She also had a table at the soiree selling some of her stash. And oh, how I loved her stash! I did some shopping with her but, I would have loved to take that whole table home! Too bad my suitcase was already overweight. Tracy makes the coolest jewelry and she contributed some of her awesome designs to Bohemian-Inspired Jewelry. Tracy is a sot-after designer. She recently added Cindy Wimmer's new book, The Missing Link to her book contributions.

Speaking of The Missing Link book, here it is! ArtBLISS co-creator, Cindy Wimmer just authored her own wire jewelry book called The Missing Link: From Basic to Beautiful Wirework Jewelry. Fortunately, her author copies arrived just in time for her artBLISS retreat and she was able to have a book signing! WhooHoo! It just wouldn't have been the same without it. Having Cindy's book there and being able to get a signed copy straight from her was a highlight for me and it made artBLISS this year that much more exciting.

Here's Cindy signing copies surrounded by the fabulous jewelry from the book. Well, it's about time this talented jewelry artist authored her own book showcasing her incredible work. I've thought this for some time. I have to say it was well worth the wait. This is one of the best wire technique books I've seen in a long time.The wire links themselves are the stars here. The link designs are beautiful, original and highly adaptable. The step-by-step photos and instructions are thorough, detailed and well-executed. Even a beginner could follow along and make the wire links with these excellent photos and directions. One of the things I love the most is the gorgeous photography and styling. The photos do justice to Cindy's exquisite work and that of her contributing designers. The style of the photos shine with Cindy's personal touch and aesthetic with her own vintage props used for backgrounds. It's a gorgeous book and I'm thrilled I came home from artBLISS with my own author-signed copy!
 

ArtBLISS 2013

www.artblissworkshops.com

Oh my, the artBLISS retreat is next weekend! Hard to believe it's already that time. I will be attending and vending the event again this year and I can't wait. It's hosted by fellow jewelry artists and friends, Cindy Wimmer and Jeanette Blix. It's one of my favorite social gatherings of the year. You can read about my time there last year here. Since I missed out on all the fun and camaraderie at Bead Fest in August, I'm anticipating artBLISS with intensity. I'm looking forward to spending some quality time chatting with my creative friends in attendance.

Thin Gauge Metal Workshop with Stacie Florer

Last year, I was one of the five instructors. I taught my Macrame Flower Bracelet class and I demonstrated how to do some macrame knotting. This year, I'm a student. I'm taking Stacie Florer's Thin Gauge Metal Workshop just for fun! Stacie is such a beautiful, inspiring soul and a very talented metal jewelry artist. I jumped at the chance to take a class from her. I want to just be there in the presence of her lovely energy and connect with her. I also have a feeling that being in her creative teaching environment will be an amazing experience all on it's own. Metalworking is outside of what I normally do and I don't plan on adding it to my existing work. I'm not taking the class with the intention to add techniques to my jewelry-making repertoire. Rather, for me, this class is all about enjoying the experience and having a little fun tinkering around with different materials. Who knows what I may discover from that. I am, however, looking forward to taking home some awesome, handmade metal earrings I learned to make from Stacie Florer.

See me demo my Leather Ruffle Hoops at artBLISS 2013.

Speaking of earrings, even though I won't be teaching a formal class this year, I will be demonstrating my Leather Ruffle Hoops on Saturday evening. A version of these earrings can be found in my book, Bohemian-Inspired Jewelry. At Saturday night's soiree, I will be showing how to make a pair of these and I will have kits for sale so that my fellow artBLISSers can make'em, too. Leather embellishments like in these earrings are really hot and trending right now, so I'm hoping they will be popular with the attendees.

Leather Ruffle Hoops in action. Follow me on Instagram.

In addition to the earrings, I will also have lots of other goodies for sale at my demoing table. I've teamed up with my dear friends at Ornamentea.com to bring their quality products to artBLISS. I'm talking some gorgeous materials here! I'll be toting along my very favorite fibers and beads from their selection. Here's just a smattering of the yummy bits and baubles I'll have at my table:

 Fibers and beads courtesy of Ornamentea.com will be available for sale at artBLISS workshops 2013.

Plan to stop by if you are in the Washington, D.C. area. 

Hope to see you there!

Submissions for Jewelry Stringing Spring 2014

Hello! It's my Studio Saturday day over at the Art Bead Scene blog. Hop on over there for a chance to win an Irish Waxed Linen Cord Color Mix from the Jewelry Accord shop. Right now, I'm working on magazine submissions. Today, I invite you inside my studio to take a sneak peek at the materials I'm creating with for the Spring 2014 issue of Jewelry Stringing Magazine! It's time to submit jewelry designs for next year's Spring issue, now. And yep, I'm actually sharing with you exactly what I'm working on for the pieces I plan to submit to the magazine. That might seem kinda crazy, but I embrace the idea of freely sharing information that might help someone else find success in getting jewelry published. I thought it'd be fun to do a little show and tell to give you a glimpse inside my process. I hope this information will help other designers feel more confident about creating jewelry for publication. Getting your jewelry published can be a tricky thing. Personally, I find that challenge fun! There's absolutely no guarantee that anything I make will be selected. All I can do is try my best to follow the magazine's guidelines, let the themes and color palettes provided inspire the ideas for my designs and stay true to my own style, esthetic and creative process.  Jewelry Stringing is one of my all-time favorite beading magazines. I'm intrigued and captivated by the themes and color palettes the editors come up with to inspire their contributing designers. Come join me now and get a taste for what I'm working on and my process for creating jewelry pieces for this particular magazine. I hope to inspire you to work on your own creations as well and submit your designs. Jewelry Stringing provides guidelines, themes and color palettes for each one of their upcoming issues. You can find the full details and guidelines for submission here. I've provided some of the information for the Spring 2014 issue here in this post. The first theme and color palette for Spring 2014 is "Soft Jewelry". (The following description is taken from the guidelines on the magazine's website.) Soft Jewelry

Leather, ribbon, cord, thread, embroidery floss, and fabric are most commonly used as stringing materials and structural components in jewelry pieces, but they also lend themselves to creative and compelling focal elements. Submissions in this category will range in style, but they should all include fibers, textiles, or leather as a prominent design feature. Consider highlighting these materials through techniques like knotting, braiding, and wrapping, or incorporating current trends like fringe or tassels into your designs. See their Pinterest inspiration board for this palette at: http://pinterest.com/stringingmag/soft-jewelry-spring-2014/

So, here's what I've chosen to work with for this theme:  Sankofa trade beads, Irish waxed linen and Greek leather from Ornamentea. As you can see, I've matched up pretty well with the first two colors in the palette provided. You do not have to use all the colors in the suggested palette, but at least one color in your design should match up. I chose these African trade beads in "Teal" from Ornamentea.com. For additional color, texture and the fiber elements needed for the theme, I hand-knotted the beads on multiple strands of Irish Waxed linen cord in "Sunflower". Then, I'll pair the knotted beads with some brown Greek leather cord to complete the design. The second theme and color palette for Spring 2014 is "Spring Greens". (The following description is taken from the guidelines on the magazine's website.)

Spring Greens

If there is one color that ubiquitously represents springtime, it has to be green. Fresh leaves sprout from the trees, grass peeks out from beneath snowdrifts, and budding shoots speckle our garden beds. From subdued mossy shades to high-energy lime tones, each piece in this category will celebrate spring in all its green glory. See their Pinterest inspiration board for this palette at: http://pinterest.com/stringingmag/spring-greens-spring-2014/ Here are some materials I've chosen to use for this palette and theme:  Shimmer Floss Ribbon, Czech glass beads, Irish waxed linen and a gold button. I've got some hand-painted Shimmer Floss ribbon in "Grandma Moses" from Ornamentea.com, green, faceted Czech glass beads, Irish Waxed Linen in "Dark Forest Green" from Jewelry Accord and a matte gold button from the fabric store. For this palette, I did want to match up with as many of the green colors as I could. The hand-painted shimmer floss helps me pull quite a few of the green tones in the palette with just that one element. I'll pull in the darkest green color with the waxed linen cord. Then, I'll pair the fibers with the contrasting finish of the faceted Czech glass beads and the button for balance and interest in the piece. The third theme for Spring 2014 is "Monochromatic".  (The following description is taken from the guidelines on the magazine's website.) Monochromatic In honor of our annual color issue, we are inviting our contributors to create monochromatic pieces in the color of their choice. While creating a piece in a single color simplifies the process of selecting color-coordinated materials, it makes the other design elements of the piece more visible. Balance, proportion, and symmetry are often accomplished through clever color combinations. Without the aid of a varied palette, designers must rely on their other skills to create well-executed, interesting, and attractive jewelry. We know that you are up to the challenge, so pick a color and show us what you've got! See their Pinterest inspiration board for this section at: http://pinterest.com/stringingmag/monochromatic-spring-2014/ Below is the color I've decided to go with for monochromatic: Gray Opaque Matte size 8 seed beads from ShipWreck Beads. Yep, Gray. Might not seem too exciting. Why in the world would I choose grey out of all the beautiful colors of the rainbow? Well, the design I want to make for this category will be elegant, sophisticated  and a little bit moody. That description could not be farther from how I would describe my usual style. I've decided to go in this direction because the color and look I have in mind is a total deviation from the esthetic I would normally create. It's fun to try different styles and show some range in my work. That is very exciting to me! :) I'm going to incorporate these opaque, matte grey seed beads from ShipwreckBeads.com into my jewelry piece by stringing them on multiple strands of gray waxed linen cord. The multiple strands of these seed beads will provide texture and visual interest to a monochromatic design. Last, but not least, the fourth theme for Spring 2014 is "Bead Soup". (The following description is taken from the guidelines on the magazine's website.) Bead Soup In contrast to the previous theme, the pieces in this section will be packed with colors-the more the better! We are challenging you to use as many different colors as possible in your submissions for this category, but be careful that you aren't sacrificing cohesion or wear-ability for variety. Tip: Successful "bead soup" pieces often have a unifying characteristic that runs throughout each design (ie: consistent bead size, shape, finish or material; a repeated technique; a specific theme or motif; etc.).  See our Pinterest inspiration board for this section at: http://pinterest.com/stringingmag/bead-soup-spring-2014/ Here are some beads I pulled from my stash for this category: Seed beads from ShipWreckBeads.com and a handmade ceramic bead set by Keith O'Connor. One hank of "All Mixed Up" size 8 Czech seed beads from Shipwreck Beads and a graduated ceramic bead set from ceramic artist, Keith O'Connor. I can't think of a better way to get more colors in than these fantastic seed bead mixes! They remind me a lot of the African "Christmas" or "Love" trade beads, which would also be a great choice for this theme. If you take a look at the Pinterest board for this category above, there are images of African beadwork. So, obviously those would be an ideal selection! I hope you've enjoyed following along with me on my journey to creating jewelry for the Spring 2014 issue of Jewelry Stringing magazine. I want to inspire you with ideas that you can use in your own jewelry. If you'd like to try submitting your designs, here is the deadline information and submission guidelines you'll need to know: E-mailed pre-submissions are due September 26th, 2013; physical submissions are due October 10th, 2013. For the rest of the submissions instructions and specifics, please read through the Contributor Guidelines in their entirety here. Don't forget to leave a comment on my Art Bead Scene blog post to be entered to win the cord color mix giveaway. Thanks you! Happy Beading!

Mark Your Calendars!

I will be at Ornamentea in Raleigh, N.C. on July 27th & 28th! The shop is hosting a book signing and Make n' Take on Friday, July 27th from 6-8pm. Then, on Saturday, July 28th from 10:30am-1:30pm, I'll be teaching my Bohemian Knotted Earrings workshop. I'm so excited for these upcoming events!

Friday, July 27th

What: Bohemian-Inspired Jewelry 

book signing and Make n' Take project

 Where: Ornamentea

509 N. West St.

Raleigh, NC 27603

When: Friday night, July 27th 

6-8pm

Click Here for more info. 

Leather Ruffle Hoops 

 Join me Friday night and make one of my earring projects from Bohemian-Inspired Jewelry called, Leather Ruffle Hoops. Chat with me about incorporating fibers and cords into your jewelry. I will have several original jewelry designs from the book that you can see in person. Feel free to ask me questions about beading and the process of writing the book with my co-author, Lorelei Eurto. Purchase a copy of the book that evening or bring your own copy and I'll be happy to sign it for you!

Saturday, July 28th

 

Bohemian Knotted Earrings

What: Bohemian Knotted Earrings Workshop

 Where: Ornamentea

509 N. West St.

Raleigh, NC 27603

When: Saturday, July 28th 10:30am-1:30pm

Price: $65

Click Here to registrar. 

Class description:

Learn simple knotting techniques to make a trio of bohemian chic earrings! Using waxed linen cord, you will learn 3 different ways to attach colorful beads to a ring component.

Students will learn basic knotting techniques to make three pairs of stylish earrings. Techniques covered in class will included: lark's head knot, half-hitch knot, overhand knot and how to use knotting tweezers for precise knotting. Using waxed linen cord, students will learn 3 ways to use knots to attach beads to a ring component. Students will have the following color choices for each pair of earrings: red, orange, green, turquoise and blue.Variations on the three designs made in class will also be discussed, so student will be able to expand on the techniques they have learned. 

I'd love to see you in class! Hope to see at Ornamentea!

In A Tree Necklace Project

In A Tree Necklace

Here's an easy way to incorporate bits of silk ribbon into a necklace design. The texture of the fibers add interest to this simple piece. Check out my tutorial for this necklace on the Art Bead Scene Blog, today!

Button Swap Blog Hop

Button Swap Bracelets

Hi and welcome to the Button Swap Blog Hop hosted by Cindy Wimmer of Sweet Bead Studio! My swap partner was Sharon Borsavage of Livewire Jewelry. She sent me a generous collection of beautiful buttons and I love them all. To see the full stash, visit my previous post. Well, as you can see, I'm still on the bracelet bandwagon from a few weeks ago. What can I say, bracelets are the thing this year! I created 3 bracelets with individual buttons from my swap collection. I used two of my favorites from the vintage selection and one handmade ceramic button by Mary Harding. 

Aren't these vintage buttons amazing? Sharon sent me some extra special beauties. They are precious little gems. I wanted to create simple designs that would allow the fantastic buttons to really stand out and be the stars of the show. The bracelets are made with colorful Irish waxed linen cord and antiqued brass beads. I really like how these turned out. I thought of our button swap host while I was creating them. Hey Cindy Wimmer, these are for you! :) Both bracelets were made using different braiding techniques.

Americana Queen

This red one is a six-strand flat braid with small brass beads incorporated. The braid looks much more complicated than it is! I love this vintage pearl button with a rhinestone inset. Gives the bracelet a fancy, regal look fit for any antiquing queen out on the hunt. ;)

Shiran

This purple bracelet is a Kumihimo round braid. Kumihimo is a Japanese braiding technique. I've been admiring the technique for some time now. I finally got a chance to use my Kumihimo loom disc and I love it! I think I might be hooked. The name Shiran is a type of Japanese orchid. I really enjoyed making this. The button is just phenomenal! A vintage brass filigree button with a mirrored back. It's kinda tough to see in the picture, but it's got a shiny, reflective backing that can be seen through the openwork at the top of the button. Stunning.

May Flowers 
And last, but not least, I created this feminine, Springtime bracelet with soft colors pulled from the floral impression button. I made my signature multi-strand, button & loop bracelet with a handmade button by Mary Harding.  Mary creates beautiful ceramic jewelry components from various botanical impressions. Visit her website to see more of her incredible work.

Thank you for stopping by!

Happy Mother's Day! 

Relax, enjoy the day and have fun blog hopping...

Alice Peterson  and Kim Bender

Angie Blasingame and Billi R.S. Rothove

 Billi R.S. Rothove and Angie Blasingame

 Birgitta Lejonklou and Pam Farren

 Bonnie Coursolle and Tania Hagen

 Brenda Salzano and Hope Smitherman

 Cat Kerr and Heather Powers

 Cece Cornier and Jeannie Dukic

 Celeste Thurston and Christine Damm

 Christine Damm and Celeste Thurston

 Christine Stonefield and Dana James

 Cilla Watkins and Lori Bowring Michaud

 Cindy Wimmer and Mimi Gardner

 Cynthia Machata and Julia Johnson

 Cynthia Riggs and Lori Finney

 Dana James and Christine Stonefield

Diana Ptaszynski and Erin Prais-Hintz

 Emma Thomas and Rebecca Anderson

 Erin Prais-Hintz and Diana Ptaszynski

 Erin Siegel and Sharon Borsavage

 Heather Powers and Cat Kerr

 Holly Westfall and Sally Russick

 Hope Smitherman and Brenda Salzano

 Jayne Capps and Kim Dworak

 Jeannie Dukic and Cece Cornier

 Jenna Meyers and Kristi Harrison

 Jenna Tomalka and Karen McKillip

 Jenny Davies Reazor and Sandi Volpe

 Julia Johnson and Cynthia Machata

 Kalaya Steede and Kylie Dickman

 Karen McKillip and Jenna Tomalka

 Karen Mitchell and Renetha Stanziano

 Karla Morgen and Mary Govaars

Kay Thomerson and Shannon Chomanczuk

 Kim Ballor and Laurel Steven

 Kim Bender and Alice Peterson

 Kim Dworak and Jayne Capps

 Kim Roberts and Partner unable to participate at this time.

 Kristi Harrison and Jenna Meyers

 Kylie Dickman and Kalaya Steede

 Kym Hunter and Lynda Moseley

 Laurel Steven and Kim Ballor

 Linda Djokic and Patty Gasparino

 Line Labrecque and Teri Baskett

 Liz DeLuca and Lorelei Eurto

 Lorelei Eurto and Liz DeLuca

 Lori Anderson and Niky Sayers

 Lori Bowring Michaud and Cilla Watkins

 Lori Finney and Cynthia Riggs

 Lynda Moseley and Kym Hunter

 Marianna Boylan and Tracy Statler

 Mary Govaars and Karla Morgen

 Mary Harding and Stacie Florer 

 Maureen Baranov and Tracy Bell

 Melissa Martin and Theresa Fosdick

 Michelle Hardy and Peggy Johnson

 Mimi Gardner and Cindy Wimmer

 Nicole Valentine Rimmer and Niki Meiners

 Niki Meiners and Nicole Valentine Rimmer

 Niky Sayers and Lori Anderson

 Pam Farren and Birgitta Lejonklou

* Pam Ferarri and Stefanie Teufel (will share their reveal on a later date)

 Patty Gasparino and Linda Djokic

 Peggy Johnson and Michelle Hardy

 Rebecca Anderson and Emma Thomas

 Rebekah Payne and Sue Kennedy

 Renetha Stanziano and Karen Mitchell

 Rose Binoya and Shanti Johnson

 Sally Russick and Holly Westfall

 Sandi Volpe and Jenny Davies Reazor

 Shannon Chomanczuk and Kay Thomerson

 Shanti Johnson and Rose Binoya

 Sharon Borsavage and Erin Siegel

 Shirley Moore and Veralynne Malone

 Stacie Florer and Mary Harding

* Stefanie Teufel and Pam Ferarri (will share their reveal on a later date)

 Sue Hamel and Terry Carter

 Sue Kennedy and Rebekah Payne

 Tania Hagen and Bonnie Coursolle

 Tania Spivey and Teresa Gagne

 Teresa Gagne and Tania Spivey

 Teri Baskett and Line Labrecque

 Terry Carter and Sue Hamel

 Theresa Fosdick and Melissa Martin

 Tracy Bell and Maureen Baranov

 Tracy Statler and Marianna Boylan

 Veralynne Malone and Shirley Moore